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- Replacement tubes for bk butler tube driver drivers#
- Replacement tubes for bk butler tube driver driver#
- Replacement tubes for bk butler tube driver professional#
Compatible with all electric guitars and amplifiers. Controls: Tube Drive, HI & LO EQs and Output Level.
Replacement tubes for bk butler tube driver driver#
Heart of the Tube Driver is a real hand-selected 12AX7 tube by BK Butler himself. They also work for CRT horizontal deflection amplifiers. Known the world over for creating the Eric Johnson 'violin tone' and as one of two main pedals used by David Gilmour. If you have an antique jukebox or console radio gear, these replacement parts can help get your systems going again.
Replacement tubes for bk butler tube driver professional#
This model of vacuum tube also works in a guitar amp and with other professional amps. The 6LQ6 was designed for high-quality aural devices ranging from televisions to CB radios. The pair of filaments within these tubes reaches temperatures of up to 1,700 degrees Fahrenheit, but the ceramic heat sink at the end keeps your sensitive radios or amps cool. These supply increased durability and insulation of heat. The info to order one is there in the thread.
Replacement tubes for bk butler tube driver drivers#
These tubes also feature a Compactron base and an anode cap. Not sure if you all saw the thread over on TGP but BK Butler is making some TUber Drivers again in limited quantities. This means that you can use it to power an old television console, such as those made by Sylvania. These tubes also reduce oscillations that can cause a wavering sound in the station’s transmissions.The beam-power tetrode with a duo setup in these tubes provide you with a higher concentration of electrons. This means that you will not hear a blend of stations if there are two operating on a close megahertz range. This style of tube minimizes cross-channel distortion. The anode features a long, horizontally oriented flat piece that is held in place by mica or ceramic clips. Its plate is blackened in order to minimize reflection of the light. It also provides about 100 watts of light from its heated filament. The wide range allows the radios to output a variety of audible stations for your listening pleasure.This tube yields 6.3 volts of power. This helps to ensure that the cathode is able to receive a wide range of input signals.
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The evenly woven grid allows for a uniform conductance to the screen grid and to the control plate. As electrons leave the anode, they interact with the suppressor grid and become highly concentrated. As a power output pentode, this tube relies upon a suppressor grid in order to minimize negative resistance. The pins directly conduct the electrons into the cathode.
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This made them popular for mass-produced radios and other uses in homes as well as with the military.The dual pentode design of these tubes makes use of five pins that can be plugged into the socket of your listening systems. Audiophiles soon noticed that these tubes could offer a clean sweep across a wide range of sound and tones. Its original use was in audio transmission equipment used to communicate between military squadrons. This type of tube was designed by RCA around the time of World War II. This ensures that your amplifier or radio sound comes through loud and clear. Made in the United States by RCA, this vintage audio component offers minimal vibration. That is why the RCA 6LQ6 vintage tube and tube socket set is ideal to help keep your sound system or ham radio running smoothly. Your equipment can only work as well as its electronic components.I have a very strong feeling that nothing is going to change about the fuzz/dist stomps in the future. Adding still more sarcasm: This in a company who haven't implemented more of the expression pedals functions, because they don't want to use a way that may look as if it is coming directly from the 80s. this might, however take a couple of years to dial in (as long as it took for the KPA family to come up with half a decent vibe tone). Let me be a bit sarcastic here: with the right combination of the KPA's fuzz or distortion boxes, a proper pre stomp and post stomp eq and a well chosen shaper stomp you can simulate almost any pedal there is on the market. Gilmour has 3 of these with him live and as a coinaisseur of tone he might do this because the pedal gives him something amps alone don't give him.